Curriculum Vitae
Dr. Eric Lyon
School of Performing Arts
Music | Theatre | Cinema
Virginia Tech
195 Alumni Mall
Blacksburg, VA 24061
ericlyon@vt.edu
Education
·
University
of California, San Diego, Ph.D., Major in Music Composition, 1991.
·
Eastman
School of Music, M.A., Major in Music Composition, 1988.
·
Princeton
University, B.A., Major in Music, Magna Cum Laude, 1984.
Additional Studies
·
Darmstadt
International Summer Courses for New Music, 1990, 1992.
·
Aspen Music
Festival and School, Composition,1980-1984.
Professional Appointments
·
Associate
Professor of Practice, Virginia Tech, 2013-present.
·
Lecturer in
Computer Music, Queen's University Belfast, 2006-2013.
·
Lecturer in
Electroacoustic Music, Manchester University, 2005-2006.
·
Assistant
Professor of Music, Dartmouth College, 1999-2005.
·
Lecturer in
Computer Music and Multimedia Design, Institute of Advanced Media Arts and
Sciences (IAMAS). 1995-99.
·
Research
Associate/Lecturer in Computer Music, Keio University, 1993-1995.
Monographs
Lyon,
E. 2012. Designing Audio Objects for Max/MSP and Pd.
Middleton, WI: A-R Editions, Inc.
Book Chapters
Lyon, E., 2013, Using
Noise Techniques to Destabilize Composition and Improvisation. In B. Halligan, N. Spelman, M. Goddard, eds.
Resonances: Noise and Contemporary Music,
London: Bloomsbury, pp. 221-241.
Lyon,
E., 2013. The
Absent Image in Electronic Music. In: C. Vernalis,
A. Herzog, J. Richardson, eds. The Oxford Handbook of Sound and Image in Digital Media, Oxford:
Oxford University Press, pp. 623-641.
Lyon,
E., 2011. A
Modular Synthesizer Simulation Program. In: R. Boulanger and V. Lazzarini, eds. The Audio Programming Book, Cambridge:
MIT Press, pp. 629-653.
Lyon,
E. 2011. Algorithmic
Patch Design for Synmod. In: R. Boulanger and V. Lazzarini, eds. The Audio Programming Book, Cambridge:
MIT Press, DVD chapter.
Lyon,
E. 2011. Algorithmic
Sound Design. In: R. Boulanger and V. Lazzarini,
eds. The Audio
Programming Book, Cambridge: MIT Press, DVD chapter.
Lyon,
E. 2000. An
Introduction to Reverberation Design with Csound.
In: R. Boulanger, ed. The Csound Book, Cambridge: MIT Press,
pp. 467-481.
Journal Publications
Lyon, E., Ouzounian, G., and Knapp, B., 2014/15 (in press).
Lyon,
E., 2009. Deer Park. The Open Space Magazine, 11(1): 123-138.
Lyon,
E., 2008. A
Computer Music Retrospective. Organised
Sound, 13(3): 209-216.
Lyon,
E., 2002. Dartmouth
Symposium on the Future of Computer Music Software:
A
Panel Discussion. Computer Music Journal,
26(4): 13-30.
Lyon,
E., 2001. Mushroom: An
Oracular Sound Processor. SEAMUS Journal,
16(1): 2-4.
Lyon,
E., 2000. Gordon Mumma. The Open Space
Magazine, 1(2): 193-194.
Conference Proceedings
Lyon,
E. 2012. “Image-Based Spatialization.” Proceedings of the 2012 International Computer Music Conference.
San Francisco: International Computer Music Association, pp. 200-203.
Knapp, B. and E. Lyon.
2011. “The Measurement of Performer and Audience Emotional State as a New Means
of Computer Music Interaction: A Case Study.” Proceedings of the 2011 International
Computer Music Conference. San Francisco: International Computer
Music Association, pp. 415-420.
Lyon, E. 2010. “The Biomuse
Trio.” Proceedings of the 28th of the International
Conference Extended Abstracts on Human Factors in Computing. NY: Association
for Computing Machinery, pp. 3103-3106.
Lyon, E. 2008. “Conditions for Development of an Interchange Format for
Spatial Audio.” Proceedings
of the 2008 International Computer Music Conference. San Francisco:
International Computer Music Association (ICMA), pp. 307-308.
Lyon, E. 2008. “Articulated Noise.” Proceedings of the 2008 International Computer Music Conference.
San Francisco: ICMA, pp. 438-441.
Lyon, E. 2008. “Spatial Orchestration.”
Proceedings of the 5th Sound and Computer Music
Conference. Barcelona: Music Technology Group. smcnetwork.org/resources/smc2008.
Lyon, E. 2006. "A Sample Accurate Triggering System for Pd and MaxMSP," Proceedings of the 2008 International Computer Music Conference. San Francisco: ICMA, pp. 606-611.
Lyon, E. 2004. "Spectral Tuning," Proceedings of the 2004 International Computer Music Conference.
San Francisco: ICMA, pp. 375-377.
Lyon, E. 2003. "Spectral Reanimation," Proceedings of the Ninth Biennial Symposium on Arts and Technology,
New London: Ammerman Center
for Arts and Technology, pp. 103-105.
Lyon, E. 2001. "Building a Better Organ: A Music Environments," Proceedings of the Multimedia Technology
& Applications Conference, Irvine, CA, Piscataway: IEEE, pp. 169-172.
Lyon, E. 2000. "The Bregman
Electronic Music Studio at Dartmouth College," Proceedings of the 2000 International Computer Music Conference. San Francisco: ICMA, pp. 404-405.
Penrose, C. and E.
Lyon, 2000. "FFTease - a
Collection of Spectral Signal Processors for Max/MSP," Proceedings of the 2000 International
Computer Music Conference. San Francisco: ICMA, pp. 496-498.
Lyon, E., and H. Igarashi,
2003. "NetMix Audio," Proceedings of KlangArt-Kongress Osnabrueck, Germany. Osnabrueck:
Osnabrueck Publishing, pp. 194-198.
Lyon,
E., 2000. "Rhythmic
Rendering," Proceedings of the ICMC,
Thessaloniki 1997. San Francisco: ICMA, pp. 485-486.
Lyon,
E., 2000. "POWERpv: A Collection of Spectral Processors," Proceedings of the ICMC, Hong Kong 1996.
San Francisco: ICMA. pp. 285-286.
Selected Music Commissions
Ensemble mise-en. Large ensemble. 2013.
Marianne Gythfeldt. Clarinet and computer.
2013.
Pauline Kim Harris.
Solo violin. 2012.
String Noise. Violin duo with computer. 2012.
BACK Duo. Soprano and marimba. 2011.
TimeTable Percussion. Percussion trio. 2010.
Manchester University. Flute, clarinet and computer. 2009.
NeXT
Ens. Ensemble and computer.
2006.
Awards, Prizes and Fellowships
Giga-Hertz
Förderpreis, ZKM, Karlsruhe, Germany, 2011.
Arts Council of
Northern Ireland Support for the Individual Artist Programme award, (SIAP) 2008
and 2011.
League-ISCM
World Music Days Composition Competition, 2004.
UC
Regents Dissertation Fellowship, 1990.
ASCAP
Composer's Award for String Quartet #1, 1988.
UC
Regents Scholarship, 1986.
Music Recordings
Lyon,
E. 2010. “Light Rain, Laganside” on Five
Points 13(2): Belfast Imagined, Atlanta, GA: Georgia State University
Press.
Lyon,
E. 2007. "Rose of the
World" on Clairaudience, a
compilation of works based on electronic voice phenomena (EVP). New Bedford,
MA: Bohn Media.
Lyon,
E. 2007. "Trajectories"
on Music from SEAMUS volume 16, a
stereo version of the 8-channel work. St Joseph, MO: SEAMUS.
Lyon,
E. 2005. "Psychic
Driving" on Escapement, a CD/DVD
by Daniel Koppelman. Homestead, FL: Everglade
Recordings.
Lyon,
E. 2004. Ex Cathedra, monograph, computer music
from 1999-2003. Baton Rouge, LA: Centaur Records.
Lyon,
E. 2004. "Molten
Statues" on 60x60. Brooklyn, NY:
Capstone Records.
Lyon, E. 2004. "Confessions of a Virtue Addict" on BEAST. Trombone and electronic music recital by David Manson. Tampa, FL: Isospin Labs Records.
Lyon,
E. 2000. "An American
Fantasy" on 10th Anniversary Bonk.
Tampa, FL: Bonk Recordings.
Lyon,
E. 2000. "The
Blistering Price of Power" on Pipe
Wrench. Flute and electronic music recital by Elizabeth
McNutt. Albany, NY: EMF.
Lyon,
E. 2000. "Onceathon II: The Kiss of Constable" on Future Flute. Flute
and electronic music recital by Margaret Lancaster. NYC: Sound's Bounty.
Lyon,
E. 2000. "Heavy
Rotation" on Future Flute. NYC:
Sound's Bounty.
Karkowski, Z. and E Lyon. 1997. "Untitled" on Antiphony. London: Ash
International.
Lyon,
E. 1996. Red Velvet, Monograph. A collection of computer music from 1994-1996. Hillsdale,
NJ: Smart Noise Records.
Lyon,
E. 1993. "Low Flying
Unicorns" on Intercambio: Computer Music from Buenos Aires and
California. Palo Alto, CA: CCRMA/LIPM/CRCA.
Conference Presentations, Lectures and Workshops
“Audio
Object Design for Max/MSP,” workshop at ICMC 2011. Huddersfield University. UK.
“The Voice of Noise,” conference talk at Electroacoustic Music Studies 2011. NYU.
NYC.
"A History of
Sonic Arts," invited lecture at the Ormeau Baths
Gallery, Belfast, 2008.
"Recent
Compositional Work in Live, Fixed Media, and Noise-Based Instrumental Computer
Music," invited lecture to the CCRMA graduate composition seminar at
Stanford University.
Stanford, CA, 2007.
"Performance
Strategies for Computer Chamber Music," invited lecture at CNMAT, UC
Berkeley, 2007.
"Signal
Processing, Composition, and What You (Mathematicians) Can Do for Computer
Music," invited lecture to CCNY Brooklyn Math Department Colloquium.
Brooklyn, NY, 2007.
"Current Problems
in Live Computer Music Performance," invited lecture as
composer-in-residence for the International Electroacoustic Music Festival.
Brooklyn Conservatory. Brooklyn, NY, 2007.
"Algorithmic Sound
Design and Current Modes of Listening," NYU Department of Music Colloquium
Series, invited lecture. NYC, 2006.
"Computer Chamber
Music and Some Technical Aspects of Introduction and Allegro", invited
graduate seminar lecture at Columbia University. NYC, 2006.
"The Pleasures and
Perils of Sampling," graduate seminar lecture at Manchester University. Manchester, 2006.
"Do We Still Need
Computer Music?", talk presented at EMS 2006.
Beijing.
"Current Problems
and Practices in Computer Music." A daylong session of workshops, a
master-class and a live computer performance, presented as guest artist for the
Sonic Computing Organization (SCO). Gainesville, FL, 2005.
"Spectral
Tuning," International Computer Music Conference. Miami, FL, 2004.
"Employing the FFT
in Electro-Acoustic Music: Technical Principles, New Software, and Recent
Compositions," The Studio for Electro-Instrumental Music (STEIM),
Amsterdam, 2003.
"Too Smart for
Their Own Good: Technique as Albatross in the Music of XTC," Practicing
Popular Music, International Associate for the Study of Popular Music (IASPM),
McGill University, Montreal, 2003.
"Spectral
Reanimation," Ninth Biennial Symposium on Technology and the Arts. Connecticut College, New London, CT, 2003.
"Spectral
Reanimation," SEAMUS Conference. Tempe, AZ, 2003.
"Techno
Counterpoint: Tracking in the Music of Aphex
Twin," EMP Conference on Popular Music, Seattle, WA, 2002.
"FFTease and New Strategies for Live Computer
Performance," Guest Lecture at EMS Studio, Sweden, 2001.
Organization of Conferences and Festivals
Artistic
director and festival coordinator. “Sonorities 2007. A Festival of New Music.” Belfast,
Northern Ireland, 2007.
Curator
and co-director. "The
Electric Rainbow Coalition: A Festival of Electro-Acoustic Music."
Hanover, NH, 2003.
Director.
"Festival of New Musics" featuring guest
artist George Lewis. Hanover, NH, 2002.
Director
and Coordinator. "The
Futures of Computer Music Software, a Symposium." Hanover, NH, 2001.
Authorship of Computer Music Tools
LyonPotpourri - a collection of externals for Max/MSP and Pd with
a wide range of audio processing functionality.
FFTease - a set of externals for Max/MSP and Pd which provide real-time capabilities for many different
spectral processing methods. (Collaboration with Christopher Penrose.)
POWERpv - a set of spectral processing tools based on
the short time FFT and the phase vocoder. These tools provide multiple schemes
for spectral alterations of sound for artistic purposes.
Mushroom - an iterative
sound-processing system for generating families of spectrally related sounds,
in generational layers with progressive reduction of features from the original
source sound.
Invitations and Residencies
Visiting Scholar at
Columbia University, based at the Computer Music Center
of the
Music Department. NYC,
September 2009 – January 2010.
Featured
composer at Cross Currents festival, Penn State University. Works performed: “Light Rain Laganside”, “Clusters”, “The Noise
Concerto.” University Park, PA, 2010.
STEIM
residency with the Biomuse Trio. Amsterdam, 2008.
Featured
Composer, International Electroacoustic Music Festival at Brooklyn
Conservatory. Brooklyn, NY,
2007.
Guest
Artist, Sonic Computation Organization. Gainesville, FL, 2005.
Composer/Researcher
in Residence, STEIM. Amsterdam, 2003.
Composer
in Residence, Djerassi Resident Artists Program. Woodside, California, 2002.
Institut International de Musique Electroacoustique
de Bourges (IMEB) "Residence" award, taken at Les Ateliers UPIC (now
CCMIX). Alfortville,
France, 1992.
Representative Musical Performances
“Music
from the Lyonosphere” – a portrait concert. Works performed: “String Trio no.1,” “The
Lancaster Overture II,” “Onceathon II: The Kiss of
Constable,” “Three Noises for Violin and Piano,” “Diagonal Noise.” Performed by
members of TENTH INTERVENTION. Spectrum, NYC. 2014.
“Confessions of a
Virtue Addict” performed by Jay Crone on Electroacoustic Music by Composers at
Virginia Tech. Blacksburg, VA. 2014.
“The Book of Strange
Positions” performed by String Noise on Bonk at Spectrum. Spectrum,
NYC. 2013.
“Spaced Images with
Noise and Lines” 8-channel computer music performed at NYC Electroacoustic
Music Festival. Skirball Auditorium, NYU. NYC. 2013.
“Spaced Images with
Noise and Lines” 8-channel computer music performed at the International
Computer Music Conference, Španski Borci, Slovenia. 2012.
“Still Life with
Vibraphone and Computer” performed by Patti Cudd,
vibraphone. Unruly Music Festival. Milwaukee, WI.
2012.
“Variations on Psycho
Killer” performed by Pauline Kim Harris, violin. Bargemusic,
NYC. 2012.
“Variations on Psycho
Killer” performed by Pauline Kim Harris, violin at NYSoundCircuit.
The DiMenna Center, NYC.
2012.
“Rock and Roll Goddess”
performed at the NYU New Music Ensemble concert. Frederick
Loewe Theatre. NYC. 28 November 2011.
“Noise Triptych”
performed by String Noise at Exapno. NYC. 23 October, 2011.
“Spaced Images with
Noise and Lines,” octophonic electroacoustic music,
premiered at a Spatial Music Collective concert. 7 October 2011. Dublin,
Ireland.
“Serenade for
Percussion” premiered by Timetable Percussion at the AC Institute, NYC. 22
October 2011.
“Dear, If You Change”
from “John Dowland Versions” performed by the BACK
Duo at Exapno. 25 September 2011. NYC.
“Noise Triptych” for
two violins premiered by String Noise at the Ostrava Music Days Festival. 2
September 2011. Ostrava, Czech Republic.
“Clusters” performed at
the first Irish Sound, Science and Technology Convocation. 10 August 2011.
“Noise Quartets 5,6,7
and 8” performed at the 2011 International Computer Music Conference by The
Noise Quartet. 4 August 2011. Phipps Hall, Huddersfield University.
Huddersfield, UK.
“Music for Sleeping and
Waking Minds” (composition, Gascia Ouzounian, surround sound interface design, Lyon) performed
by the Green Man Festival. Wales. 20 August 2011.
“Music for Sleeping and
Waking Minds” performed by the Biomuse Trio at the
BEAM Festival. Brunel University, Uxbridge. 25 June 2011.
“The Alligator
Briefcase” for mezzo-soprano and marimba premiered by the BACK Duo. Baruch
Performing Arts Center, NYC. 1 May 2011.
“Clusters” and
”Trajectories” performed on the Spatial Music Collective retrospective concert
2006-2011. University of Ulster, Londonderry. 30 March 2011.
Featured
composer at NewMusicNewIdeas, Pianos, NYC. Performed “The Noise Concerto”, “The Double
Noise Concerto”, “Three Melodies for Vibraphone” and
“Liberation #1.” 16 January 2011.
“Frozen in
Stereoscope,” live octophonic music performed at
Spatial Music Collective concert. Dublin. 13 November,
2010.
“Sacred Amnesia” performed
on a Argento Ensemble
concert dedicated to the music of Arnold Schoenberg. Austrian
Cultural Forum. NYC. 8 August 2010.
“BioSpaces”
performed at the National Science Gallery, Dublin. The Biomuse Trio with Kate Ellis, cello. 16 September
2010.
“Trio for Violin,
Biosensors and Computer” performed at Digital Resources for the Humanities and
Arts (DRHA) Conference. Brunel University, Uxbridge. 7 September 2010.
“Stem Cells” performed
at NIME, Australia. Ben Knapp, biosensor performer. 18 June 2010.
“Golden Melodies”
performed at Transmission, Vienna. Seth Josel,
electric guitar. 19 May 2010.
“Trio for Violin,
Biosensors and Computer” performed at CHI, Georgia. The Biomuse
Trio. 14 April 2010.
“Trio for Flute,
Clarinet and Computer” performed at NYCEMF, NYC. Elizabeth
McNutt, flute, Esther Lamneck, clarinet, Eric Lyon,
computer. March 2010.
“The Noise Concerto”
performed by the Electric Eel Multimedia Ensemble at The Tank. NYC, 18 March
2010.
“Confessions of a
Virtue Addict for Trombone and Tape” performed at Brooklyn College. Haim Avitsur, trombone. 4 March 2010.
“Confessions of a
Virtue Addict for Trombone and Tape” performed at Concordia University. Haim Avitsur, trombone. 17 February 2010.
“Golden Melodies for
Electric Guitar and Max/MSP” at Oberlin College. Seth Josel,
electric guitar.12 February 2010.
“The Noise Concerto”
performed by the Electric Eel Multimedia Ensemble at Monkeytown,
NYC. January 2010.
“Trio for Flute,
Clarinet and Computer” at Aberdeen. November 2009.
“The Noise Concerto”
performed at the NYU New Music Ensemble concert, Frederick Loewe Theatre, NYC.
November 2009.
“Golden Melodies”
performed at the Italian Academy, NYC. James Moore, electric guitar. September
2009.
“Stem Cells” performed
at Durham. June 2009.
“The Biomuse Trio” performed at NIME, Pittsburgh. June 2009.
“The Noise Concerto”
performed at SARC, Belfast. May 2009.
“Trio for Flute,
Clarinet and Computer” at SEAMUS, Fort Wayne. April 2009.
“Clusters” performed at
the Spatial Music Collective Concert, Dublin. March 2009.
“The Biomuse Trio” performed at Issue Project Room, NYC. January, 2009.
“The Biomuse Trio ” performed at Diapason Gallery, NYC. 9 January, 2009.
“Onceathon
II” performed by Jane Rigler and the composer. The Stone, NYC. 2008.
“Couperin Soufflé” for
solo laptop premiered at the NWEAMO festival in Stonybrook,
NY. 2008.
“String Quartet no. 3
with Computer Enhancements” performed at Manchester University, by Quatuor Danels and the composer.
Manchester. 2008.
"Trio for Flute,
Clarinet and Computer" premiered at the NOVARS Research Centre, Manchester
University. Esther Lamneck,
clarinet, Elizabeth McNutt, flute, Eric Lyon, computer. Manchester, 2007.
Spatial
audio architect and laptop performer with Kairos for
The Gathering - a performance by Michael Mayhew at the Manchester International
Festival. Manchester,
2007.
Improvisated laptop trio at Salon Bruit - K77, with Paula Mathussen and Ameobazoid. Berlin, 2007.
"Global Eyes"
performed at North-South MANTIS concert. Manchester, 2007.
"Remix de
Bruits" performed at Futuresonic 2007.
Manchester, UK.
"Confessions of a
Virtue Addict" performed at FEMF 16. Gainesville, Florida, 2007.
"Confessions of a
Virtue Addict" performed at NODUS Concert. Miami, Florida, 2007.
"Private
Lesson" premiered at NIME Festival. Kathleen Supove,
Disklavier. NYC, 2007.
"String Quartet
no. 3" premiered at a Smith Quartet Concert. Belfast,
2007.
"Trajectories"
performed at Spatial Collective Concert. Dublin, 2007.
"Trajectories"
performed at Integra Concert. Belfast, 2007.
"Introduction and
Allegro" performed at Sonorities 2007. Belfast.
"Remix de
Bruits", "Stem Cells" and "Rose of the World"
performed on solo concert at GEM Days 2006. Huddersfield, UK.
"Introduction and
Allegro" performed at MANTIS concert. Manchester,UK, 2006.
"Introduction and
Allegro" performed at ICMC 2006. New Orleans, LA.
"Liberation
#1" performed at the Sonorities Festival. Belfast, Ireland, 2005.
"Trajectories"
performed at the 14th Annual Florida Electroacoustic Music Festival. Gainesville,
FL, 2005.
"Trajectories"
performed at the Spark Festival. Minneapolis, MN, 2005.
"Onceathon II: The Kiss of Constable" performed at the
ICMC. Miami, FL, 2004.
"Stem Cells"
premiered at Ars Electronica. Linz, Austria, 2004.
"Liberation
#1" performed at SEAMUS 2004. San Diego, CA.
"Trajectories"
premiered at Harvest Moon Multi-Channel Audio Symposium. Montreal, Canada,
2004.
"The Blistering
Price of Power" performed at the Boulder Museum of Contemporary Art.
Boulder, CO, 2004.
"Molten Statues"
premiered at Vox Novus 60x60 concert. Brooklyn, NY,
2004.
"Low Flying
Unicorns" performed at "Beyond Noise" concert. Sibelius Academy,
Finland, 2004.
"Liberation
#1" performed at Electric Rainbow Coalition festival. Hanover, NH, 2003.
"The Blistering
Price of Power" performed at the Third Practice Festival. Richmond, VA,
2003.
"Onceathon II: The Kiss of Constable" performed at Karnatic Lab Concert. Amsterdam, the Netherlands. 2003.
"Rock and Roll
Goddess" performed at NYU New Music Ensemble concert. NYC,
2003.
"The Pursuit of
Opulence" performed at ICMC. Thessiloniki,
Greece, 1997.
"1979"
performed at the ICMC. Hong Kong, 1996.
Undergraduate Courses Designed and Taught
·
Instrumental
Composition
·
Composition
of Electroacoustic Music
·
Computer
Music Techniques
·
Computer
Programming for Musical Applications
·
Counterpoint
·
History of
Electronic Music
·
History of Twentieth
Century Music
·
Intermediate
MIDI Applications (Introduction to Music Technology)
·
Music and
Technology
·
Music in
the Age of Mechanical (and Digital) Reproduction
·
Musical
Applications of Fourier Theory
·
Orchestration
·
Recording
Studio Techniques
·
Sound
Synthesis and Signal Processing
Graduate Courses Designed and Taught
·
Analysis of
Musical Systems
·
Analysis,
Synthesis and Perception of Timbre
·
Audio
Programming
·
Composition
of Computer Music
·
Compositional
Environments
·
Composition
Seminar
·
Sounds,
Signals and Senses
·
Sonic Arts
Seminar
·
Software
Improvisation Systems
·
Sound
Design
Academic Service
External
Examiner, PhD thesis, National University of Singapore, 2014 (forthcoming).
External Panel Member,
Course approval event for the BSc in Music Technology at Bedforshire
University. 2011.
External
Examiner, M. Phil. In Music and Media Technologies course. Trinity
College Dublin. 2008-2011.
External Examiner, Ph.D. vivas, at Trinity College Dublin and Manchester University.
Senior
Tutor, Queen’s University Belfast, 2011-12.
Peer Review Service
Paper and Music reviewer
for ICMC
Music reviewer for
SEAMUS
Paper reviewer for NIME
Article reviewer for
Organised Sound
Book reviewer for MIT
Press
Computer Proficiency
Audio Software
Proficiency: Csound, Cmix, clm, cmusic, CARL, Max/MSP, Pd,
SuperCollider, ProTools, Logic, Ableton
Live.
Programming Languages:
C, Objective-C, HTML, JavaScript, Perl, Processing.
References
Available on request.